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Moviehouse One, our grand downstairs theatre, seats 440 people. The theatre features state-of-the-art film projection as well as a large stage ideal for panel discussions, Q&A's, and live performances.
Moviehouse Two used to be the balcony when the Coolidge was a one-theatre house. It is now a medium-size, 218 seat theatre featuring state-of-the-art film projection and audio, as well as a small stage ideal for director q&a's, small performances and group discussions.
The GoldScreen seats 27 and features high-definition digital projection
The Video Screening Room seats 45 and features high-definition digital projection.
http://mountauburn.org/
580 Mount Auburn Street
Cambridge, Massachusetts 02138
617-547-7105
info@mountauburn.org
http://www.thetrustees.org/places-to-visit/greater-boston/rocky-woods.html
About Rocky Woods
With 6.5 miles of trails winding through varied terrain, Rocky Woods is a year-round destination for outdoors lovers of all abilities. The 0.75-mile loop around Chickering Pond, the largest of the reservation’s five man-made ponds, is a family favorite.
From I-95/Rt. 128 (Exit 16B): Rt. 109 West for 5.7 mi. Turn right onto Hartford St. and follow for 0.6 mi. to entrance and parking (100 cars) on left.
From Intersection of Rts. 27 and 109 (Medfield): Take Rt. 109 East and bear left onto Hartford St. Continue as above.
$5 parking fee (not included in ticket price).
Parking is always free for members of The Trustees. Become a Member Today!
Happy End
Opens Friday, March 16
1hr 50mins // directed by:Michael Haneke // featuring:Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz, Toby Jones // in French with English subtitles // AD, Assisted Listening
A magnificent cast — Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz and Toby Jones — headlines Austrian master Michael Haneke's follow-up and partial sequel to his Palme d'Or– and Academy Award–winning Amour.
Set at a palatial estate in Calais, the high-strung Laurent clan begins to unravel after an accident on one of the family firm's construction sites brings class tensions between them and their workers to a boil.
"His unique take on filmmaking and the world around him is not for everyone, of course, but those on his wavelength should find “Happy End” to be a bracing, sometimes difficult and largely rewarding experience whose title may not be quite as ironic as it may initially seem." — Peter Sobczynski, RogerEbert.com