
Funeral Parade of Roses
A feverish collision of avant-garde aesthetics and grind-house shocks (not to mention a direct influence on Stanley Kubrick's A Clockwork Orange), Funeral Parade of Roses takes us on an electrifying journey into the nether-regions of the late-'60s Tokyo underworld.
In Toshio Matsumoto's controversial debut feature, seemingly nothing is taboo: neither the incorporation of visual flourishes straight from the worlds of contemporary graphic design, painting, comic books, and animation; nor the unflinching depiction of nudity, sex, drug use, and public toilets. But of all the "transgressions" here on display, perhaps one in particular stands out the most: the film's groundbreaking and unapologetic portrayal of Japanese gay subculture.