Sunday, March 16
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2hr 07mins


From the Bavarian State Opera in Munich - Luc Bondy’s staging of Puccini’s most famous opera is conducted by Fabio Luisi, chief conductor of the Vienna Symphonic and the Staatskapelle Dresden andgeneral music director of the State Opera in Dresden. Finnish soprano Karita Mattila, one of the most sought-after singer worldwide is appearing as Tosca. Joining her is star tenor Jonas Kaufmann as Cavaradossi. In the role of Scarpia: Juha Uusitalo, highly acclaimed Wotan of the multi-awarded ‘Ring’ production from Valencia.


Act 1 – in the Attavanti chapel, in the church of Sant' Andrea della Valle
Escaped political prisoner Angelotti rushes into the church to hide. Soon, painter and fellow dissident Mario Cavaradossi arrives to work on a new portrait of Mary Magdalene, inspired by the visage of Angelotti’s sister, the Marchesa Attavanti, who Mario has seen but doesn’t know personally. He holds a miniature of the singer Floria Tosca, and compares the painting’s light features with Tosca’s dark ones. Angelotti emerges, but Mario urges him to hide again as they hear Tosca approaching. Tosca, always jealous, questions her lover Mario, prays, and reminds him of their planned meeting at his villa that night. Tosca then recognizes the face in the picture – Angelotti’s sister! She bursts with newfound jealousy, but Mario quells her suspicions. After she leaves, Angelotti emerges again – but cannon fire is heard, indicating that Angelotti’s escape has been discovered. The two men rush to Mario’s villa. The Sacristan enters with choir boys excited about their performance in a Te Deum that day. They are hushed when the chief of the secret police Baron Scarpia enters in search of Angelotti. Tosca re-enters, hoping to see Mario again, but is met by Scarpia, who produces a fan bearing the Attavanti crest – deepening her suspicions that her lover has been unfaithful. Tosca storms off, and Scarpia sends his men to follow her. He vows that he will have the singer in his power.

Act 2 – The Farnese Palace
Scarpia anticipates the joy he will have when Tosca is his. The spy Spoletta returns. He was unable to find Angelotti, so he brought in Mario for interrogation. Tosca is heard singing at a gala downstairs. She enters the room just as Mario is hauled off to the torture chamber, where the secret police hope to break his silence. Mario’s screams and Scarpia’s questioning break down Tosca’s resolve, and she reveals where Angelotti is hiding. Mario is carried in, and, realizing that Tosca has betrayed Angelotti, turns on her. Another one of Scarpia’s men enter and reports (erroneously) tha