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Moviehouse One, our grand downstairs theatre, seats 440 people. The theatre features state-of-the-art film projection as well as a large stage ideal for panel discussions, Q&A's, and live performances.
Moviehouse Two used to be the balcony when the Coolidge was a one-theatre house. It is now a medium-size, 218 seat theatre featuring state-of-the-art film projection and audio, as well as a small stage ideal for director q&a's, small performances and group discussions.
The GoldScreen seats 27 and features high-definition digital projection
The Video Screening Room seats 45 and features high-definition digital projection.
http://mountauburn.org/
580 Mount Auburn Street
Cambridge, Massachusetts 02138
617-547-7105
info@mountauburn.org
Lady Bird
Opens Friday, November 10
1hr 33mins // directed by:Greta Gerwig // featuring:Saoirse Ronan, Laurie Metcalf, Tracey Letts // CC, AD, Assisted Listening
In Lady Bird, Greta Gerwig reveals herself to be a bold new cinematic voice with her directorial debut, excavating both the humor and pathos in the turbulent bond between a mother and her teenage daughter.
Christine “Lady Bird” McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mom (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird's father (Tracy Letts) loses his job. Set in Sacramento, California in 2002, amidst a rapidly shifting American economic landscape, Lady Bird is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home.
"I wish I could convey to you just how thrilling this movie is. I wish I could quote all of the jokes and recount the best offbeat bits. I’d tell you about the sad priest and the football coach, about the communion wafers and the Sacramento real estate, about the sly, jaunty editing rhythms, the oddly apt music choices and the way Ms. Ronan drops down on the grass in front of her house when she receives an important piece of mail. I’m tempted to catalog the six different ways the ending can make you cry." — A. O. Scott, The New York Times