Juan of the Dead

Monday, March 10
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1hr 32mins // directed by:Alejandro Brugués // featuring:Alexis Díaz de Villegas, Jorge Molina

Hailed by The New York Times as a "daringly irreverent satire" and "an improbable landmark in the gradual opening of Cuban culture," Juan of the Dead was a sensation when it premiered in Cuba in 2011.

Shot on location in Havana on a shoestring budget, the film imagines the island overrun by zombies, which, as one of the lead characters cheekily points out, is not too far from the reality that Cubans face every day. 

The Coolidge is once again pleased to partner with the Huntington Theatre Company for a Stage & Screen dialogue following the film. Becoming Cuba playwright Melinda Lopez and director M. Bevin O'Gara will be on hand to discuss the uncanny parallels between Juan of the Dead and Lopez's play, which runs at the Huntington from March 28 - May 3. Despite taking place in very different eras, the two works are united by a common theme: What are the stories that shape a nation's collective memory?

Statement from Becoming Cuba playwright Melinda Lopez

"Juan of the Dead is so much more than a zombie movie. It’s an insightful, hilarious and sharp commentary on Cuban society, and it draws upon the ‘creation myths’ of that nation to tell the classic story of an underdog who saves the world—in this case, the crumbling ruin of Havana.

Juan of the Dead draws on many historical elements to create a movie that deconstructs Cuban history, including the War of Independence, Castro’s Revolution, the ‘special period’ and the exodus at Mariel, as well as the complex relations with Spain and the United States. But the film does this without overt political dogma. It’s just a band of survivors, misfits and warriors, bound together in an end-of-the-world battle. And really, what is more Cuban than finding yourself in the middle of the end-of-the-world… and figuring out how to make money?

My play, Becoming Cuba uses a lot of these same tropes. Revolutionaries (1898) with machetes, reclaiming the