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Moviehouse One, our grand downstairs theatre, seats 440 people. The theatre features state-of-the-art film projection as well as a large stage ideal for panel discussions, Q&A's, and live performances.
Moviehouse Two used to be the balcony when the Coolidge was a one-theatre house. It is now a medium-size, 218 seat theatre featuring state-of-the-art film projection and audio, as well as a small stage ideal for director q&a's, small performances and group discussions.
The GoldScreen seats 27 and features high-definition digital projection
The Video Screening Room seats 45 and features high-definition digital projection.
http://mountauburn.org/
580 Mount Auburn Street
Cambridge, Massachusetts 02138
617-547-7105
info@mountauburn.org
http://www.thetrustees.org/places-to-visit/greater-boston/rocky-woods.html
About Rocky Woods
With 6.5 miles of trails winding through varied terrain, Rocky Woods is a year-round destination for outdoors lovers of all abilities. The 0.75-mile loop around Chickering Pond, the largest of the reservation’s five man-made ponds, is a family favorite.
From I-95/Rt. 128 (Exit 16B): Rt. 109 West for 5.7 mi. Turn right onto Hartford St. and follow for 0.6 mi. to entrance and parking (100 cars) on left.
From Intersection of Rts. 27 and 109 (Medfield): Take Rt. 109 East and bear left onto Hartford St. Continue as above.
$5 parking fee (not included in ticket price).
Parking is always free for members of The Trustees. Become a Member Today!
At Eternity’s Gate
Opens Wednesday, November 21
1hr 51mins // directed by:Julian Schnabel // featuring:Willem Dafoe, Mads Mikkelsen, Oscar Isaac // CC, AD, Assisted Listening // DCP
Join us for a Q&A with Katie Hanson, PhD (Associate Curator, Art of Europe at the Museum of Fine Arts, Boston) following our 1:45pm screening on Sunday, December 9.
Willem Dafoe stars as Vincent van Gogh in the new film from Julian Schnabel (The Diving Bell and the Butterfly).
Julian Schnabel’s At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Academy Award® Nominee Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented
CRITIC'S PICK: "Dafoe, with his surprising, sometimes terrifying mouth, and his skull visible beneath skin as tightly stretched as canvas, has one of cinema’s great faces, and Schnabel makes delicate use of both its ragged beauty and expressive range." — Manohla Dargis, New York Times
"The lovely new biopic by Julian Schnabel offers a vision of Van Gogh's final days that is at once bold, blissful and deeply sad." — Andrew Lapin, NPR
"Lets us feel we're living Van Gough's life and not just watching it." — Peter Travers, Rolling Stone