Call Me By Your Name

Opens Friday, December 22
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2hr 12mins // directed by:Luca Guadagnino // featuring:Armie Hammer, Timothée Chalamet, Michael Stuhlbarg

Call Me By Your Name, the new film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman.

It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17- year-old American-Italian, spends his days in his family’s 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel).

Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio's sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart.

One day, Oliver (Armie Hammer), a charming American scholar working on his doctorate, arrives as the annual summer intern tasked with helping Elio's father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

"Everything in Call Me by Your Name registers momentously, from the scene that definitively raises the question, “Do I dare to eat a peach?” to the ’80s dance numbers to the yearning Sufjan Stevens song over the stunning credits. Chalamet gives the performance of the year. By any name, this is a masterpiece." — David Edelstein, Vulture 

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CRITIC'S PICK "Mr. Guadagnino is very good at catching the indolent drift of long summer days, with their sleepiness and bared limbs. Everyone seems to move in slow motion at the villa, except perhaps the family’s hard-working maid. This languor fits the tempo of Elio and Oliver’s relationship, which evolves over meals, drowsy idylls, a little work and a spontaneous piano recital that becomes an overture to seduction." — Manohla Dargis, The New York Times

FULL REVIEW