- showtimes
- Programs
- @fter Midnite
- Artists for Alzheimer's
- Ballet in Cinema
- Big Screen Classics
- Box Office Babies
- Cinema in 70mm
- Coolidge Award
- Coolidge Destinations
- Coolidge Shorts
- Deaf and Hard of Hearing
- Goethe German Film
- Kids' Shows
- NT Live
- Off the Couch
- OnStage @ the Coolidge
- Opera in Cinema
- Science on Screen
- Senior Matinees
- Stage & Screen
- Talk Cinema
- The Sounds of Silents
- @fter Midnite
- Membership
- About
- About Us
- History and Mission
- Board of Directors
- Staff Members
- Press
- Support Us
- Purchase Gift Card
- Directions and Parking
- Contact Us
- About Us
- Rentals
close



Moviehouse One, our grand downstairs theatre, seats 440 people. The theatre features state-of-the-art film projection as well as a large stage ideal for panel discussions, Q&A's, and live performances.

Moviehouse Two used to be the balcony when the Coolidge was a one-theatre house. It is now a medium-size, 217-seat theatre featuring state-of-the-art film projection and audio, as well as a small stage ideal for director q&a's, small performances and group discussions.
The GoldScreen seats 14 in our plush deluxe seats and features high-definition digital projection
The Video Screening Room seats 45 and features high-definition digital projection.
Room 237
Opens Friday, April 19
1hr 42mins // directed by:Rodney Ascher
In 1980 Stanley Kubrick released his classic horror film, The Shining. Over 30 years later, viewers are still struggling to understand its hidden meanings.
Loved and hated by equal numbers, the film is considered a genre standard by many loyalists, while other viewers dismiss it as the lazy result of a legendary director working far below his talent level. In between these two poles, however, live the theories of ardent fans who are convinced they have decoded The Shining’s secret messages regarding genocide, government conspiracy, and the nightmare that we call history. Room 237 fuses fact and fiction through interviews with five fans and scholars who espouse these theories with wildly different ideas about the film's true meaning. This documentary seamlessly interweaves these sometimes far-fetched topics in a kaleidoscopic deconstruction of the horror classic. Using only visuals from Kubrick's oeuvre and a few other select films, this is an incredible study in how the chaos of madness sometimes has an underlying grid of sanity.
The New York Times
An ode to movie love at its most deliriously unfettered - Manohla Dargis
