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Moviehouse One, our grand downstairs theatre, seats 440 people. The theatre features state-of-the-art film projection as well as a large stage ideal for panel discussions, Q&A's, and live performances.

Moviehouse Two used to be the balcony when the Coolidge was a one-theatre house. It is now a medium-size, 217-seat theatre featuring state-of-the-art film projection and audio, as well as a small stage ideal for director q&a's, small performances and group discussions.
The GoldScreen seats 14 in our plush deluxe seats and features high-definition digital projection
The Video Screening Room seats 45 and features high-definition digital projection.
Piccadilly
Monday, May 7
1hr 49mins // directed by:Ewald André Dupont // featuring:Anna May Wong, Gilda Gray, Charles Laughton
After hit performances with Sunrise, It, and Battleship Potemkin, the Coolidge Corner Theatre is proud to welcome back the Berklee College of Music Professor Sheldon Mirowitz and his students from the Department of Film Scoring for a special presentation of their original new score for the stunningly restored 1929 silent film classic Piccadilly.
A tale of rivalry, betrayal, and murder, director E.A. Dupont’s Piccadilly has been called “a film noir before the term was in use” and “one of the true greats of British silent film.” When Valentine Wilmot (Jameson Thomas), the suave manager of posh London nightclub Piccadilly Circus fires his star dancer, the business falls into decline. After seeing club scullery maid Shosho (Chinese-American screen goddess Anna May Wong), entertaining her fellow kitchen workers with a sensuous dance, Wilmot, in desperation, hires her to perform. She becomes an instant sensation, her rise to celebrity bringing her admirers and enemies. When Shosho becomes the object of Wilmot’s erotic obsession, both her boyfriend, Jim (King Hou Chang), and Wilmot’s former lover and dancer, Mabel (Ziegfeld Follies star Gilda Gray), become bitterly jealous, culminating in tragedy.
A stylish evocation of sultry jazz-age London, Piccadilly features dazzling cinematography by Werner Brandes and a revelatory performance by the gorgeous Wong. Charles Laughton, in his first feature film, has a cameo as a greedy nightclub diner, and Ray Milland appears as a nightclub extra.
Don't miss this one-night-only opportunity to experience this silent-film gem on our giant silver screen accompanied by a live orchestral performance conducted by Berklee’s talented composers.
