- showtimes
- Programs
- @fter Midnite
- Artists for Alzheimer's
- Ballet in Cinema
- Big Screen Classics
- Box Office Babies
- Cinema in 70mm
- Coolidge Award
- Coolidge Destinations
- Coolidge Shorts
- Deaf and Hard of Hearing
- Goethe German Film
- Kids' Shows
- NT Live
- Off the Couch
- OnStage @ the Coolidge
- Opera in Cinema
- Science on Screen
- Senior Matinees
- Stage & Screen
- Talk Cinema
- The Sounds of Silents
- @fter Midnite
- Membership
- About
- About Us
- History and Mission
- Board of Directors
- Staff Members
- Press
- Support Us
- Purchase Gift Card
- Directions and Parking
- Contact Us
- About Us
- Rentals
close



Moviehouse One, our grand downstairs theatre, seats 440 people. The theatre features state-of-the-art film projection as well as a large stage ideal for panel discussions, Q&A's, and live performances.

Moviehouse Two used to be the balcony when the Coolidge was a one-theatre house. It is now a medium-size, 217-seat theatre featuring state-of-the-art film projection and audio, as well as a small stage ideal for director q&a's, small performances and group discussions.
The GoldScreen seats 14 in our plush deluxe seats and features high-definition digital projection
The Video Screening Room seats 45 and features high-definition digital projection.
Edward Scissorhands
Monday, February 25
1hr 45mins // directed by:Tim Burton // featuring:Johnny Depp, Winona Ryder, and Dianne West
Tim Burton’s richly imagined, bittersweet fantasy stars Johnny Depp as Edward, a young man assembled by an eccentric inventor (Vincent Price), who dies before he can finish his creation, leaving him with scissors in place of hands.
When a kindly Avon lady named Peg comes calling at the late inventor’s Gothic castle and discovers Edward all alone, she brings him home to live with her family in the pastel “paradise” of suburbia. Not even Peg’s expert application of Avon products can help with those nasty nicks Edward has given himself, and with his stark-white complexion, wild nest of black hair, metal extremities, and awkward gait, he cuts a rather alarming figure. But our hero, in spite of his inherent ability to harm anyone he touches with his razor-sharp digits, is a sweet, gentle soul who just wants to be loved. Soon, he wins the neighbors over with his exceptional talents in dog grooming, hair cutting, and topiary sculpting. But things start to go south when he falls for Peg’s teenage daughter, Kim (Winona Ryder), whose bully of a boyfriend (Anthony Michael Hall) views him as “not even human.” Depp, in his first collaboration with Burton, speaks only 169 words throughout the entire movie, using his eyes and body language to communicate his longing to be part of a world he can never truly know.
Edward Scissorhands raises the question of what it means to be human. Unlike Edward, we weren’t built out of component parts in a crumbling castle atop a hill. But what’s our own story? When and how did we come by the feet, hands, and brains that hold the key to the upright walking, tool-making, and higher-level thinking that define us as human? Recent discoveries tell a fascinating story of mosaic evolution, in which different parts of us reached their modern form at different times in our evolutionary history.
About the speaker
Jeremy DeSilva, an assistant professor of biological anthropology at Boston University, is working on reconstructing the life of two amazingly complete skeletons of a new species of earl
