- showtimes
- Programs
- After Midnite
- Artists for Alzheimer's
- Big Screen Classics
- Box Office Babies
- Cinema Jukebox
- Coolidge Award
- Coolidge Destinations
- Dance at the Cinema
- Goethe German Film
- Kids' Shows
- National Science on Screen
- NT Live
- NY Film Critics Series
- Off the Couch
- OnStage @ the Coolidge
- Opera at the Cinema
- Science on Screen
- Senior Matinees
- Stage & Screen
- Talk Cinema
- The Sounds of Silents™
- After Midnite
- Membership
- About
- About Us
- History and Mission
- Board of Directors
- Staff Members
- Expansion Project
- Press
- Support Us
- Purchase Gift Card
- Policies
- Directions and Parking
- Contact Us
- About Us
- Rentals
close
Moviehouse One, our grand downstairs theatre, seats 440 people. The theatre features state-of-the-art film projection as well as a large stage ideal for panel discussions, Q&A's, and live performances.
Moviehouse Two used to be the balcony when the Coolidge was a one-theatre house. It is now a medium-size, 217-seat theatre featuring state-of-the-art film projection and audio, as well as a small stage ideal for director q&a's, small performances and group discussions.
The GoldScreen seats 14 in our plush deluxe seats and features high-definition digital projection
The Video Screening Room seats 45 and features high-definition digital projection.
Down By Law
Monday, March 4
1hr 47mins // directed by:Jim Jarmusch // featuring:Tom Waits, John Lurie, Roberto Benigni
Director Jim Jarmusch followed up his brilliant breakout film Stranger Than Paradise with another, equally beloved portrait of loners and misfits in the American landscape.
When fate brings together three hapless men, an unemployed disc jockey (Tom Waits), a small-time pimp (John Lurie), and a strong-willed Italian tourist (Roberto Benigni), in a Louisiana prison, a singular adventure ensues. Described by Jarmusch as a “neo-Beat noir comedy,” Down by Law is part nightmare and part fairy tale, featuring sterling performances and crisp black-and-white cinematography by the esteemed Robby Müller.
- Synopsis from The Criterion Collection